Glitch art, which appeared in our lives 2-3 years ago, is still popular. There is a calming fluidity, blurriness, immensity of the picture that has neither beginning nor end, as well as drive, dynamics, graphic expressiveness and a strong desire to focus attention. The main pattern chosen by the designer for this theme will seem recognizable to many people. Anyone who searched in computer screen savers suitable images for comfortable perception, certainly, encountered these elegant lines that wriggle and vibrate, flowing into each other, thickening and turning into a fine hair, create a pleasant dynamic background, the movement of which could be watched endlessly. Black-and-white graphics of an energetic electronic image fit perfectly into the collection for a teenage boy who is not alien to the world of computers, animation and special effects.
Black, white, bright cobalt blue – a contrasting color palette that attracts attention. Unlike conservative navy blue, which fits perfectly into soft casual images with a slight note of conservatism, cobalt in the collection for boys means sharpness, boldness, extravagance, the desire to look fabulous and be in the center of attention. The design of the models uses a lot of colorful expressive elements, bringing “GLITCH ART” to the forefront. Color blocking, fashionable comfortable shapes, relaxed silhouettes, expressive prints, interesting digital images, font compositions using colored foiling, complex cut, asymmetry, combination of textures – all these make the collection thoughtful, meaningful, conceptual. It was easily developed without causing the designer any creative agony. Precisely, quickly, like a thin line that turns into a complex graphic motif in a split second, the first idea was embodied in a stylish capsule that is a complete wardrobe for everyday life. The collection uses beautiful and functional materials that are traditional for the sports theme: warm fleece, cozy neoprene, comfortable footer, soft plastic capitonium, dense moisture-resistant raincoats.
